Kill Don Jazzy - written by ex-Mo' Hits Publicist,
Bayo Omisore
So to start with, I am not a hater. I do not wish any
evil on Don Jazzy or Michael Collins. If anything, I
can be categorized as an interested onlooker when
I want to be passive or an invested businessman
active in the Nigerian music industry for the past 18
years.
In addition, I am a writer. I have been told I am a
very decent writer. Or maybe I’m living on past
glory. Either way, I had another title I was working
with. But I decided this one would attract the
eyeballs I desperately need to get the attention I so
desperately crave.
Finally, I understand the workings of PR. Hell, I
handled the PR of Mo’ Hits in 2006 when the only
talent was D’banj. Back then, Wande was a dancer,
Dr. Sid (I plead the Fifth) and D’Prince was a model.
I do not wish death on Michael Collins.
I however think the Don Jazzy brand is dead. Or
should be rested. I’ll tell you why...
Bayo Omisore
Do you remember Don Jazzy? Remember that
Soundcity advert. I remember the first day I met
D’banj and Don Jazzy. This must have been either
late 2004 or sometime in 2005. I had been in the
business as a journo for a few years by then so I
knew them. We had done a story on Mr. Solek at
Hip Hop World in 2003. Jazzy had worked as the
keyboardist of the band but he had moved on to
music production working under JJC. He was very
quiet; never uttered a word. You could have been
forgiven for thinking he was mute.
Back to the Soundcity advert. Don Jazzy didn’t say
a word. Just whispered in D’banj’s ear while D’banj
handled his business. It was brand new. It was
refreshing. The ratings of the newly-established
Soundcity music channel went through the roof.
D’banj and Don Jazzy became the perfect example
of a match made in heaven. Cobhams, if he could
see them back then, would have known they were
going places. So much so that Dr. Sid, a University
of Ibadan-trained dentist and self-appointed
administrator of eLDee’s Trybe Records, was happy
to abandon that project and his album project to
work under the tutelage of these relatively
unknowns.
After that, the communication from the Mo’ Hits
camp was that Don Jazzy was the boss. He was
being driven around town by a university graduate
who earns an enviable salary working in an oil
company (Fifth). Jazzy didn’t speak in public. He
never granted interviews.
He asked simply that
whatever you wanted to offer to him should be
offered to his ‘children’. (Note that he had been
calling his artistes his children since the Mo’ Hits
days. Nobody questioned it then because this is the
Don we’re talking about here.) In fact, once, I was at
the crib of one of the Mo’ Hits people, and he told
me I had to leave because Jazzy was coming. I
was genuinely curious and somewhat impressed.
Impressed because they kept the charade going
even off-camera. Curious because, well, so could it
be it wasn’t a charade after all?
Remember all those award ceremonies where
someone from Mo’ Hits would win an award and
spend half the speech time praise-and-worshipping
Don Jazzy? Or when Don Jazzy himself would win
an award for best production and his wards would
mount the stage to receive on his behalf even while
he was seated in the front row in the same building.
Guys, let’s be honest, these are the images of Don
Jazzy that made him the brand he is today. Those
days when he only worked with his Mo’ Hits people
and a literal handful of associates.
In the real world, a don is a crime boss, crime lord,
mob boss, kingpin, criminal mastermind; a person in
charge of a criminal organization. He typically has
absolute or nearly absolute control over his
subordinates, is greatly feared by his subordinates
for his ruthlessness and willingness to take lives in
order to exert his influence, and profits from the
criminal endeavours in which his organization
engages. Replace the word ‘crime’ with music and
you have Don Jazzy.
Mo’ Hits was an organized entity. At the head of it
all was Don Jazzy; the Capo di tutt’i capi, the
Godfather, the boss of all bosses. Complete with his
staff. D’banj was his Underboss. Dr. Sid, being the
most educated and exposed of the lot, was the
Consigliere. The other artistes were the
Caporegimes. The management and the other
stragglers and hangers-on were the foot soldiers. In
the golden words of Christopher Wallace, “things
done changed!”
Fast forward to January 1 2016. Now I am not
interested in who was right or who was wrong. For
me, the happenings of the early morning January 2
2016 made the Headies. They set the tone for the
year. This is entertainment dammit. Are you not
entertained?!!!
If you ask me, Don Jazzy had no business
speaking to Olamide. I have seen enough Mafia
movies to know that no Don that understands his
worth would get so emotional as to entertain the
thought of passing such a message on a public
stage. That job is left to his Consigliere, in this case
Dr. Sid, who is already disliked intensely for his
supposed role in the Mo’ Hits breakup via the
leaked tape. People would have talked. But Jazzy
would have maintained his self-respect. He opened
himself to ridicule the minute he opened his mouth
on that stage.
I can trace this handfalling back to when Jazzy
decided to start appearing in songs after the bitter
divorce from D’banj. The Don Jazzy we knew and
respected from a distance fell from heaven and
became human. In fact, the Kokomaster showed his
disgust over Jazzy’s features after their falling out.
I very much doubt this would have happened if they
were still together. Not that I think they knew any
better then, but they had one script and they kept it
simple by sticking to that story.
Of course, with the breakup and the subsequent
interviews granted by D’banj, too much information
was shared in the public space that caused
irreparable damage to the carefully-crafted Don
Jazzy image. I think Don Jazzy should have moved
on to the next stage. Or developed a next stage to
move to. He certainly should not have done Loya or
Konga or Jantamanta (wtf?) as Don Jazzy. That’s
not the Don Jazzy we were introduced to.
In truth, while we loved and respected Don Jazzy
for his mystique, his music-making prowess and
his relationship with D’banj, there was only so much
he could achieve as a brand. However, this new guy
is fun, is funny, seems to be humble, is extremely
generous and, as such, is an endorsement magnet
getting business from an endless list of companies.
As it should be. As a businessman, it makes every
sense for Michael Collins to be this new guy with
access to millions of advertising dollars. But he
cannot expect to eat his cake and have it.
Something has to give!
In conclusion, I think that as the head writer in this
story, Mr. Collins needs to kill the Don Jazzy
character. It has made him money and fame. But
perhaps its time to quit the ‘mafia’ and live a normal
life.
So, on a lighter note...What name should Don Jazzy
go with now?
My Guy Jazzy? That’s your round-the-way friendly
neighborhood guy. Easygoing. No airs whatsoever.
Daddy Jazzy. Re his kids.
Judge Jazzy. Respected by all and lays down the
law.
Yet approachable in his manner. A friend to
everybody and a friend to nobody.
Bro Jazzy. The senior brother who opens his door
to any and every.
- Just in case you need to praise me or you take
exception to anything in this article
you can find me on Facebook as Bayo Omisore and
Instagram, Twitter and Snapchat as
@ibayoomisore.
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